Agogiikka ja rekisteröiminen esittäjän keinovaroina saksalaisessa urkumusiikissa

Authors

  • Olli Pyylampi The Sibelius Academy

DOI:

https://doi.org/10.37453/trio.110129

Keywords:

agogics, Germany, organ music, registration

Abstract

The subject of my doctoral studies is the use of agogics in German organ music between the 17th and the 19th century. The repertoire of my five concerts proceeded chronologically in order to demonstrate the evolution of agogics. In my written thesis, I investigate my methods of choosing stops when performing German romantic music.

Author Biography

Olli Pyylampi, The Sibelius Academy

DMus Olli Pyylampi is the main organist of Kallio Church, Helsinki. Having graduated as a Doctor of Music in 2019, he also teaches organ at the Sibelius Academy.

Downloads

Published

2021-07-10

Issue

Vol. 10 No. 1 (2021): Trio

Section

Lectiones praecursoriae