Kollaasista montaasiin, taidemuodosta toiseen

Kirjoittajat

  • Timo Kaitaro Helsingin yliopisto

DOI:

https://doi.org/10.37453/trio.113281

Avainsanat:

kirjallisuus, kollaasi, montaasi, musiikki, Satie, Stravinsky

Abstrakti

Magda Dragu’s monograph analyses the uses and development of collage and montage in the early avantgarde. Dragu analyses how these techniques were intermedially transposed from one art form into others, and discusses their use in painting, photography, cinema, literature and music. Although the emphasis is on the formal analysis of these techniques, the study also examines in detail the diverse ways that they were used to produce meanings.

Kirjoittajan esittely

Timo Kaitaro, Helsingin yliopisto

Timo Kaitaro, Ph.D., is a clinical neuropsychologist and adjunct professor
(docent) of the history of philosophy at the University of Helsinki. His publications include
Diderot’s Holism: Philosophical Anti-Reductionism and Its Medical Background (Peter Lang
1997), Runous, raivo, rakkaus: johdauts surrealismaan (Gaudeamus 2001) and Le Surréalisme.
Pour un réalisme sans rivage (L’harmattan 2008) and numerous articles on the French
Enlightenment, the history of the doctrines of cerebral localization and the philosophy of
surrealism. He is currently writing a monograph with the working title Culture, Language
and Cognition from Descartes to Lewes. In addition to research, he teaches philosophy of
arts in the DocMus Doctoral School at the Sibelius Academy.

Lähdeviitteet

Downing A. Thomas: Music and the origins of language: theories from the French Enlightenment. Cambridge:

Cambridge University Press, 1995.

https://doi.org/10.1017/CBO9780511582608

Magda Dragu: Form and Meaning in Avant-Garde Collage and Montage. New

York: Routledge, 2020.

https://doi.org/10.4324/9780429317552

Tiedostolataukset

Julkaistu

2021-12-31

Numero

Osasto

Kirja-arvostelut