Agogiikka ja rekisteröiminen esittäjän keinovaroina saksalaisessa urkumusiikissa
DOI:
https://doi.org/10.37453/trio.110129Avainsanat:
agogiikka, rekisteröinti, Saksa, urkumusiikkiAbstrakti
The subject of my doctoral studies is the use of agogics in German organ music between the 17th and the 19th century. The repertoire of my five concerts proceeded chronologically in order to demonstrate the evolution of agogics. In my written thesis, I investigate my methods of choosing stops when performing German romantic music.
